News Archives

Tori ended her American Doll Posse world tour in Los Angeles on December 16th, 2007. A complete list of shows — along with setlists, photos, videos, and reviews for concerts — can be found in our Tour section (link in black bar at the top of every page).
Official audio copies of select shows from the ADP tour are available via Legs & Boots.
A DVD containing performances from the tour is expected to be released sometime in 2008. No release date yet known.
Tori will be spending the next few years working on various projects, chiefly the musical "The Light Princess" which is expected to premiere on the London stage in 2009.





Musicians around the world seem to like covering Tori’s songs just as much as she likes performing others’ music!
In France, singer Domy Fidanza recorded a cover of Tori’s “Conflake Girl.” Fidanza, originally from Italy, came to France to launch her music career as a finalist on Star Academy, an American-Idol-esque French TV show. She recorded “Cornflake Girl” for a collection called Star Academy: Leurs Singles, but you can hear it on iTunes and at E-Compil. Thanks to Elizabeth and Stephane for the tip!
Meanwhile, Native American singer Pura Fe performed a unique cover of “Scarlet’s Walk” at a recent Tori tribute. You can check it out over on YouTube. Thanks, Dane, for letting us know!
Playwright Katie Kring created The Pearl, a musical loosely based on The Scarlet Letter that initially featured a version of “Winter.” Her production was recently featured in a Connecticut newspaper, The Day. In it, Kring explains:
“The assignment was to choose a pop song she thought would fit into that source material and write a scene around that song. Then, though, she would write her own song to sub in where the pop song was. Kring chose Tori Amos’ “Winter,” which is about searching for a father, and wrote a scene around it between Hester and Pearl. Then she wrote her own song, “Icicle Skies,” that could slip into “Winter’s” spot.
“It was at that point I realized you could do ‘The Scarlet Letter,’ and you could give it that sort of girl-piano-rock feel and it somehow works. I don’t know exactly why that is, but it does. At that point, it became clear to me that you could actually do this.”