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In Memory Of Violet's Husband, Kim Flint
1969 - 2010

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We do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.

Calendar

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Tour Status

While it hasn't officially been declared a tour, Tori will be making several festival and theatre appearances during the Summer of 2010, starting with Bonnaroo in the States in June, a couple weeks in Europe in July and a single date in Moscow in September.

The most recent tour was 2009's Sinful Attraction tour that swung through North America in the Summer, Europe in the Fall and concluded in Australia in November. It was followed by a spate of promotional appearances for Midwinter Graces in London and New York City in December.

Other News Sources

Current Release

Midwinter Graces (album, 2009)

Release Dates:
November 6, 2009 (Australia)
November 9, 2009 (France)
November 10, 2009 (North America)
November 16, 2009 (UK)
November 27, 2009 (Germany)

Recent Releases

Abnormally Attracted To Sin (album, 2009)

Live at Montreux 1991/1992
(DVD, 2008)

American Doll Posse
(album, 2007)

A Piano: The Collection
(boxed set, 2006)
Visit Our A Piano Info Page

Pretty Good Years
(bio, 2006)

Fade To Red
(DVD, 2006)

Cherries On Top

Comic Book Tattoo
(book, 2008)

Posse

News: Uncut ADP Review

Posted by woj on Tuesday, May 22, 2007 | Reviews

Although it’s not on their site yet, Uncut reviewed American Doll Posse in their latest issue and Anni sent it in for y’all. Thanks to her for that!

Tori Amos: American Doll Posse
Three stars

Proto-Newsom “goes sexy”. Blimey.

A new look, and a new sound for Tori Amos here. At least on “Big Wheel”, anyway—a stomping, whiskey-drenched country-rocker complete with slide guitar and a sleazy Tori boasting: “I am a M.I.L.F.” It’s more Lucinda Williams than Boys for Pele but is hardly typical of the rest of the other 20 songs. Some, such as “Fat Slut” and the mandolin-driven “Devils and Gods”, are mere fragments, but there are several major Amos compositions here, too, from the quirky dance-pop of “Bouncing Off Clouds” to the strings-and-piano-arpeggios of “Girl Disappearing”. After the difficult concepts of Scarlet’s Walk and The Beekeeper, American Doll Posse sounds like a return to more conventional songwriting form.

—Nigel Williamson