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In Memory Of Violet's Husband, Kim Flint
1969 - 2010

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Keep an eye on our Twitter and Facebook pages since we often post quickie updates there when we're on-the-go.

During tours, we do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.

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View full listings.
    Tour Status

    Tori is touring in 2017 to support the release of Native Invader. The European legs runs from early September through early October and the North American leg runs from late October to early December. We do not know if additional dates elsewhere will be added.

    Other News Sources
    Current Release

    Native Invader (album, 2017)
    Recent Releases

    Unrepentant Geraldines (album, 2014)

    Gold Dust (album, 2012)

    Night of Hunters (album, 2011)

    Midwinter Graces (album, 2009)
    Abnormally Attracted To Sin (album, 2009)

    Live at Montreux 1991/1992 (DVD, 2008)

    American Doll Posse (album, 2007)

    A Piano (boxed set, 2006)

    Pretty Good Years
    (bio, 2006)

    Fade To Red
    (DVD, 2006)
    Cherries On Top
    comic book tattoo Comic Book Tattoo (book, 2008)

    News: MusicOMH Midwinter Graces Review

    Posted by woj on Sunday, December 20, 2009 | Reviews

    Thanks to Kevin Martin for catching MusicOMH’s review of Midinwter Graces, snuggled into their holiday album guide. While they generally have nice things to say about the release, they ultimately find it lacking a spark for repeated listens.


    Tori Amos – Midwinter Graces (Island)

    It’s the kind of uninhibited fun severely lacking from Tori Amos’ Christmas album, Midwinter Graces. Arriving just a few months after Abnormally Attracted To Sin, it is nonetheless a pretty substantial offering. Amos tweaks some of the credited traditional American folk songs on offer, giving them enough of a makeover to render them originals in their own right. The unexpected vocal inflections of the word ‘Nowell’ on opener What Child, Nowell are typical of her approach here.

    It proves to be her most accessible album for some time. The horses-scaring approach of much of her recent work is abandoned in favour of a radio friendly musical palette consisting of pianos, strings and – on the brassy Pink And Glitter – a touch of swing. There are some lovely moments here, and the self-penned Winter’s Carol deserves a place on any future ‘best-of’ compilations. But at times the overwhelming tastefulness of the exercise can pall. There’s not a lot of joy to be found in Tori’s winter wonderland, though the accompanying booklet’s icon-like art is worth a look.