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In Memory Of Violet's Husband, Kim Flint
1969 - 2010

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Keep an eye on our Twitter and Facebook pages since we often post quickie updates there when we're on-the-go.

During tours, we do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.

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Calendar
View full listings.
    Tour Status

    Tori is touring in 2017 to support the release of Native Invader. The European legs runs from early September through early October and the North American leg runs from late October to early December. We do not know if additional dates elsewhere will be added.

    Other News Sources
    Current Release

    Native Invader (album, 2017)
    Recent Releases

    Unrepentant Geraldines (album, 2014)

    Gold Dust (album, 2012)

    Night of Hunters (album, 2011)

    Midwinter Graces (album, 2009)
    Abnormally Attracted To Sin (album, 2009)

    Live at Montreux 1991/1992 (DVD, 2008)

    American Doll Posse (album, 2007)

    A Piano (boxed set, 2006)

    Pretty Good Years
    (bio, 2006)

    Fade To Red
    (DVD, 2006)
    Cherries On Top
    comic book tattoo Comic Book Tattoo (book, 2008)

    News: Uncut ADP Review

    Posted by woj on Tuesday, May 22, 2007 | Reviews

    Although it’s not on their site yet, Uncut reviewed American Doll Posse in their latest issue and Anni sent it in for y’all. Thanks to her for that!

    Tori Amos: American Doll Posse
    Three stars

    Proto-Newsom “goes sexy”. Blimey.

    A new look, and a new sound for Tori Amos here. At least on “Big Wheel”, anyway—a stomping, whiskey-drenched country-rocker complete with slide guitar and a sleazy Tori boasting: “I am a M.I.L.F.” It’s more Lucinda Williams than Boys for Pele but is hardly typical of the rest of the other 20 songs. Some, such as “Fat Slut” and the mandolin-driven “Devils and Gods”, are mere fragments, but there are several major Amos compositions here, too, from the quirky dance-pop of “Bouncing Off Clouds” to the strings-and-piano-arpeggios of “Girl Disappearing”. After the difficult concepts of Scarlet’s Walk and The Beekeeper, American Doll Posse sounds like a return to more conventional songwriting form.

    —Nigel Williamson