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Keep an eye on our Twitter and Facebook pages since we often post quickie updates there when we're on-the-go.
During tours, we do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.
Tori is touring in 2017 to support the release of Native Invader. The European legs runs from early September through early October and the North American leg runs from late October to early December. We do not know if additional dates elsewhere will be added.
Native Invader (album, 2017)
Unrepentant Geraldines (album, 2014)
Gold Dust (album, 2012)
Night of Hunters (album, 2011)
Midwinter Graces (album, 2009)
Abnormally Attracted To Sin (album, 2009)
Live at Montreux 1991/1992 (DVD, 2008)
American Doll Posse (album, 2007)
A Piano (boxed set, 2006)
Pretty Good Years
(bio, 2006)
Fade To Red
(DVD, 2006)
Comic Book Tattoo (book, 2008)News: Smarthouse ADP Review
No to be out-done, the Australian magazine Smarthouse has weighed in on American Doll Posse as well, giving it 3½ stars out of 5.
“CD Review: Tori Amos American Doll Posse”
By SmartHouse Team | Published:26/06/2007
The new Tori Amos album American Doll Posse takes a step away from the usual Amos piano ballads in favour of some old-school rock.
The ninth album from Cornwall’s most famous immigrant is a concept number in which she expresses herself through the personalities of five ‘American dolls’, each with their own personality, song cycle and wardrobe.
There’s more electric guitar than you might expect from an Tori album, and not always in a good way, unless you’re a fan of big-haired stadium rock and can get down with the honky-tonk, country-rock of lead single `Big Wheel’ (unfortunately, this single failed to get airplay in many US radio stations because of its extensive use of the acronym ‘MILF’). It’s quite a jump from the introspective piano ballads we’re used to, but there’s also plenty of room for the old Tori dotted through the generous 23 tracks.
Despite its high concept intention, the album has a looser and more improvisational feel than Amos’s usually rather pristine compositions. But, after the navel-gazing seriousness of The Beekeeper, this cut gives the impression that she’s learning to have some fun with her music again.