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Keep an eye on our Twitter and Facebook pages since we often post quickie updates there when we're on-the-go.
During tours, we do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.
Tori is touring in 2017 to support the release of Native Invader. The European legs runs from early September through early October and the North American leg runs from late October to early December. We do not know if additional dates elsewhere will be added.
Native Invader (album, 2017)
Unrepentant Geraldines (album, 2014)
Gold Dust (album, 2012)
Night of Hunters (album, 2011)
Midwinter Graces (album, 2009)
Abnormally Attracted To Sin (album, 2009)
Live at Montreux 1991/1992 (DVD, 2008)
American Doll Posse (album, 2007)
A Piano (boxed set, 2006)
Pretty Good Years
(bio, 2006)
Fade To Red
(DVD, 2006)
Comic Book Tattoo (book, 2008)News: Reviews
Be sure to check out our other sections, Tour — where setlists and other concert-related material will be updated daily while Tori is on tour — and You. Lots of interesting stuff!
April 28th Review Round-up
Read on for reviews of American Doll Posse from The Telegraph (UK), Australia’s Daily Telegraph, Newark’s Star Ledger, Billboard and Performing Songwriter. The Los Angeles Times also turns its eye on the video of “Almost Rosey” from the bonus DVD which Amazon posted. Thanks to Lucy, leirali, Dainster and Dru!
The London Evening Standard Review (April 27, 2007)
The London Evening Standard reviewed American Doll Posse in their April 27th edition, where it headlined their CDs Of The Week column.
NBC4.com's ADP Review (April 27, 2007)
Breaking the monotony of paragraph-long reviews, television station NBC4 unexpectedly delivers an extensive review of the album in their DC Scene section of their website. Thanks to Chris for passing the link along!
The Daily Mail's ADP Review (April 27, 2007)
Completing the triple play of mini-reviews, here’s The Daily Mail’s take on American Doll Posse. This one does not yet appear to be on the web so hanks to Melissae and Lucy for sending it in!
The Mirror's ADP Review (April 27, 2007)
Lucy, with an assist from Luke, also sent in The Mirror’s equally-brief but more approving review of American Doll Posse.
The Times Reviews ADP (April 27, 2007)
Lucy was the first to point out The Times’ short and somewhat ambiguous review of American Doll Posse.
The Sun's ADP Review (April 27, 2007)
Thanks to Martin and lucy for passing along links to The Sun’s positive review (4.5 stars out of 5) of American Doll Posse. Unlike Fiona Shepard, the reviewer finds the combination of Tori’s five personas to be a boon to the record.
Rip It Up ADP Review (April 26, 2007)
Rip It Up, a weekly publication in Adelaide, Australia, has reviewed American Doll Posse. For the record, the k-word shows up in the first sentence.
Scotsman ADP Review (April 27, 2007)
Fiona Shepard reviewed American Doll Posse for the April 27th edition of The Scotsman. She’s quite impressed by the record but a little mystified by the Posse. Read on for the review or read it on The Scotsman’s website.
Thanks to Toni for the link!
The Guardian's ADP Review
Caroline Sullivan reviews American Doll Posse today on The Guardian’s website, giving the album 4 out of 5 stars. (“Folk?” Really?) Thanks, Pete.
It’s ninth-album time and Amos is about as fashionable as carbohydrates these days, but she remains one of the most ambitious conceptual songwriters on a major label. There are five Toris on the cover – warrior Tori, hippy Tori, voodoo Tori clutching rooster – each of whom symbolises a facet of womanhood. The aim of the 23 songs is to reassemble the segments into a cohesive whole, in the hope of “rousing 18-year-olds to wake up and make [political] choices”. It’s a tall order, but she makes an inspiring role model, answerable only to her fierce, funny self. Some of her best work in years is here: a solemn, witty shout-out to the commander-in-chief titled Yo George (“I have an allergy to your policies’”), the echo-laden rocker You Can Bring Your Dog, which bawdily likens people to pets, and the distorted squall of Code Red. There’s far too much, though; cut to 10 tracks it would have been her one of her most significant records.