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We do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.
At this time, Tori is not on tour, but there are two festival appearances scheduled for the Summer of 2010: Bonnaroo and Live at Sunset.
The most recent tour was 2009's Sinful Attraction tour that swung through North America in the Summer, Europe in the Fall and concluded in Australia in November. It was followed by a spate of promotional appearances for Midwinter Graces in London and New York City in December.





The Sun (September 29, 2006)
Q. What does this album represent for you, looking back on your career?
A. Well, when you consider that, when Little Earthquakes was rejected by Atlantic Records in 1990, demanding that i erase the piano on all the tracks and replace it with commercial guitars, having a set called “A Piano” with 86 songs constructed from a piano is definitely sweet indeed.
Q. What surprises and memories did you unearth from the vaults?
A. Being able to have access to everything you’ve ever done, although some master mixes are missing, made me realise how fragile analogue tape is, especially if the record companies haven’t stored them in a tape library in the correct conditions. The engineers found recordings of forgotten songs, one from the Little Earthquakes era, a couple from Boys For Pele and Under The Pink, and I guess pretty much from every album to date. Listening back transported me to that time frame within seconds, the music acted as a sonic Tardis.
Q. You were one of the first stars to make the piano cool in pop music. How does that make you feel?
A. Guitar player friends of mine would always say “Hey Tor, things would have been so much easier if you’d been a guitar player” and I’d smile and say “Yes boys, but my axe is nine foot six.”
(Transcribed for Undented by Lucy and Saar.)