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In Memory Of Violet's Husband, Kim Flint
1969 - 2010

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We do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.

Calendar

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Tour Status

While it hasn't officially been declared a tour, Tori will be making several festival and theatre appearances during the Summer of 2010, starting with Bonnaroo in the States in June, a couple weeks in Europe in July and a single date in Moscow in September.

The most recent tour was 2009's Sinful Attraction tour that swung through North America in the Summer, Europe in the Fall and concluded in Australia in November. It was followed by a spate of promotional appearances for Midwinter Graces in London and New York City in December.

Other News Sources

Current Release

Midwinter Graces (album, 2009)

Release Dates:
November 6, 2009 (Australia)
November 9, 2009 (France)
November 10, 2009 (North America)
November 16, 2009 (UK)
November 27, 2009 (Germany)

Recent Releases

Abnormally Attracted To Sin (album, 2009)

Live at Montreux 1991/1992
(DVD, 2008)

American Doll Posse
(album, 2007)

A Piano: The Collection
(boxed set, 2006)
Visit Our A Piano Info Page

Pretty Good Years
(bio, 2006)

Fade To Red
(DVD, 2006)

Cherries On Top

Comic Book Tattoo
(book, 2008)

Posse

News: MOJO ADP Review

Posted by woj on Tuesday, May 22, 2007 | Reviews

Anni also transcribed Mojo’s review of the new album for us. Thanks to her for that, as it’s not on their website either (tsk tsk! such luddites!). The review’s in the June 2007 issue, with the “100 Records That Changed The World” cover story, in case you feel the need to track it down.

Tori Amos: American Doll Posse
Three stars

Still crazy after all these albums…

Like dyed hair, beards or gospel choirs, the concept album is something many artists feel a temptation to dabble in. But Ms Amos’s ninth studio album is her third song cycle on the trot, 20 songs long, at which point even the most indulgent of prog rock behemoths might call time. Still, a softly emotive Father’s Son stands out, while Bouncing Off Clouds and Secret Spell are stylishly melodramatic. And who else would dare claim, as Tori does on a rollicking Big Wheel, “I’m a M.I.L.F., don’t you forget” (refer to your nearest glossary of porn terms)? Top marks for wilful eccentricity, then, but as with her other 21st century output, other numbers are much less memorable. Here’s a concept Tori: less is more.

—Johnny Sharp