News Archives
We do our best to cover setlists in real-time on Twitter. If you want to tweet a show in, just DM or @ us on the day and tell us to watch your stream that night.
At this time, Tori is not on tour, but there are two festival appearances scheduled for the Summer of 2010: Bonnaroo and Live at Sunset.
The most recent tour was 2009's Sinful Attraction tour that swung through North America in the Summer, Europe in the Fall and concluded in Australia in November. It was followed by a spate of promotional appearances for Midwinter Graces in London and New York City in December.





The Phoenix New Times has reviewed American Doll Posse too! (Shall we run a pool to see which newspaper or magazine will be the last one to do so?)
Tori Amos
American Doll Posse
(Sony)
By D.X. Ferris
Published: May 24, 2007
Tori Amos is the blue-chip stock of the female singer-songwriter boom of the ’90s: Investing in her art has only become more expensive (read: demanding) over the years. With hooks disappearing, her albums have grown longer, while her lyrics have turned increasingly oblique. More memorable than 2005’s The Beekeeper, American Doll Posse sees Amos taking on a variety of characters over 23 tracks. Sporting a different outfit for each “doll,” she gives us Isabel the indignant politico photographer, Clyde the wounded soul-seeker, Pip the fierce rubber enthusiast, Santa the glitzy sensualist, as well as Amos herself. Most of them are pissed off at dumb guys. With the loudest guitar solos ever heard on an Amos record, tunes like Santa’s “You Can Bring Your Dog” evoke ’70s AM rock. Pip’s bouncy “Teenage Hustling,” a tale of self-loathing, is the disc’s showstopper. Soaked in somber strings, Clyde’s “Girl Disappearing” matches Leonard Cohen for moroseness. And removing the wig for “Big Wheel,” Amos reclaims the “M.I.L.F.” chant from the meatheads in American Pie. She is mother; hear her roar.