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Tori ended her American Doll Posse world tour in Los Angeles on December 16th, 2007. A complete list of shows — along with setlists, photos, videos, and reviews for concerts — can be found in our Tour section (link in black bar at the top of every page).
Official audio copies of select shows from the ADP tour are available via Legs & Boots.
A DVD containing performances from the tour is expected to be released sometime in 2008. No release date yet known.
Tori will be spending the next few years working on various projects, chiefly the musical "The Light Princess" which is expected to premiere on the London stage in 2009.
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American Doll Posse
Release Date: May 1, 2007
Vendor Listing
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A Piano: The Collection
(boxed set, 2006)
Visit Our A Piano Info Page
Pretty Good Years
(bio, 2006)
Fade To Red
(DVD, 2006)
- Cherries On Top
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The Pink Project
(book, 2007)
String Quartet Tribute To Tori Amos Vol. 2: Pieces
(CD, 2007)
- Posse
News: Smarthouse ADP Review
No to be out-done, the Australian magazine Smarthouse has weighed in on American Doll Posse as well, giving it 3½ stars out of 5.
“CD Review: Tori Amos American Doll Posse”
By SmartHouse Team | Published:26/06/2007
The new Tori Amos album American Doll Posse takes a step away from the usual Amos piano ballads in favour of some old-school rock.
The ninth album from Cornwall’s most famous immigrant is a concept number in which she expresses herself through the personalities of five ‘American dolls’, each with their own personality, song cycle and wardrobe.
There’s more electric guitar than you might expect from an Tori album, and not always in a good way, unless you’re a fan of big-haired stadium rock and can get down with the honky-tonk, country-rock of lead single `Big Wheel’ (unfortunately, this single failed to get airplay in many US radio stations because of its extensive use of the acronym ‘MILF’). It’s quite a jump from the introspective piano ballads we’re used to, but there’s also plenty of room for the old Tori dotted through the generous 23 tracks.
Despite its high concept intention, the album has a looser and more improvisational feel than Amos’s usually rather pristine compositions. But, after the navel-gazing seriousness of The Beekeeper, this cut gives the impression that she’s learning to have some fun with her music again.